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nor does he refer to the great painters of the Italian Renaissance
This view can be interpreted as a continuation of the drawings Kaijo no Fuji
Unique impression printed on Fedrigoni Woodstock Cipria 285 gram paper
printed on Hahnemühle Rag Bright White paper in a total of 30 copies
evening descends: the silhouette of Fuji darkens
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 101, 1836-1847 vasi nor does he refer toStunning proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New
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